Happy Birthday
This bar never changes. She may change -- K may get the odd new wrinkle and layer of cellulite -- but this place doesn’t. K sinks back into the leather cushioned chair pondering the architecture and the patrons. How many birthdays has K celebrated here? For herself, for old lovers, for the bar itself? This she ponders on yet another birthday as she sips at her gin and tonic. The shell of the bar is gothic Victorian, the inside all modern purple paint, mirrors, lights and loud music. Pretty men, rough looking women and all sorts in between. K just watches now. Considers. When K was younger she believed this place would be the answer to all her problems -- she thought she would belong here. But this place has it’s rules just like outside and K has always been a non-conformist. K is always here with her handbag, wearing chipped nail varnish, liquid eyeliner and sipping her drink through a straw so she doesn’t ruin the dark stained gloss on her lips. They all know K by now. And the young fresh flesh soon know her by reputation if nothing else. K watches the pretty young things dance. K no longer tries to dance with them. Instead she watches breasts and arses bob up and down to the pulsing sound, watching glimpses of skin under lurid coloured lights. K lives mostly in her mind now. It is easy to visualise her hands on creamy flesh if she closes her eyes and removes the shades of colour -- to imagine the girl’s skin bare, nude, no bright coloured light to distort the girl’s gentle contours. And it is so easy for her to pretend, at least for a while, that the fantasy is reality and her life is how she imagines it to be, how she lives it in her head. Why does K still come? She knows no different. K has become trapped in the patterns she has built over the last twenty years. Watching bands. Being in bands. Coming to bars like this where she isn’t wanted. Or at least that is how it feels. K is no longer young. K has no partner to kiss in the shadows and laugh with at the young girls on the dance floor. She has no one to love her anymore. The only time K felt loved was when she was on stage -- is when she is on stage -- but K knows that time is no longer on her side. K has been getting less and less chances to play her music. Less and less chances to be loved. She doesn’t stay. Part of her realises she should not, so K finishes her drink and leaves the bar. She
puts up her umbrella and walks through the drizzle, through streets lined with
dreary Victorian housing until K reaches the seafront and walks to the end of
the pier. The end of the land and beginning of the water. K stands at the edge
of the pier watching the current swell beneath. It is raining so hard now that
there is little difference between the air and the sea. They are one and the same,
liquid and grey. One
day they will be K, be the wreck ageing disgracefully in the corner propping up
the bar. They won’t be able to kick as high as they used to when they get on stage.
They won’t have as much hair. The black nail varnish which looked good once will
make their hands seem older, veins raised beneath the skin, ridges like tree bark.
They will still be drawn to the stage. Still they will want to clamber on to it
and play. Even if they are going deaf in their middle-age and the spread which
accompanies it. All these things are known because they can see them in K, they
can see their own mortality reflected in her features. Just as K sees her mortality
in the mirror first thing in the morning. Especially today. Like the façade
of the hundred year old bar K can see her age in her face and another birthday
pass leaving it‘s mark there. This is not good, not for someone who has nothing
left.
this story originally appeared in the Lavender e-zine issue #2
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